Where I've Been, Isn't Where I'm Going: The Complete Edition [Explicit Content] (Deluxe Edition, Bonus Tracks, Black, Gatefold LP Jacket) (2 Lp's) (Vinyl)
SKU: 65711782423

Where I've Been, Isn't Where I'm Going: The Complete Edition [Explicit Content] (Deluxe Edition, Bonus Tracks, Black, Gatefold LP Jacket) (2 Lp's) (Vinyl)

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Where I've Been, Isn't Where I'm Going: The Complete Edition [Explicit Content] (Deluxe Edition, Bonus Tracks, Black, Gatefold LP Jacket) (2 Lp's) (Vinyl)Description The Complete Edition of Shaboozey's magnum opus, Where I've Been, Isn't Where I'm Going. Containing 6 additional tracks, including the smash hits, "Good News," & "Blink Twice," the album served as a major breakthrough for Shaboozey and it's deluxe release caps off an impressive year where Shaboozey exploded onto the national scene. 2xLP, Gatefold Jacket, Black Vinyl. Shaboozey is building his own world, carving a lane in the alternative

Description The Complete Edition of Shaboozey's magnum opus, Where I've Been, Isn't Where I'm Going. Containing 6 additional tracks, including the smash hits, "Good News," & "Blink Twice," the album served as a major breakthrough for Shaboozey and it's deluxe release caps off an impressive year where Shaboozey exploded onto the national scene. 2xLP, Gatefold Jacket, Black Vinyl. Shaboozey is building his own world, carving a lane in the alternative country and hip-hop space. Born to parents of Nigerian descent and raised in the small town of Woodbridge, VA, the multi-faceted artist grew up on an eclectic mix of music encompassing classic hip-hop and R&B, to country and blues icons like Johnny Cash, Kenny Rogers, Garth Brooks, and Lead Belly, to master lyricists, such as Bob Dylan and Leonard Cohen. A true crossover artist, he began his epic rise to stardom with two standout features on Beyoncé's COWBOY CARTER. His latest body of work, the critically acclaimed RIAA-Platinum certified masterpiece Where I've Been, Isn't Where I'm Going, debuted in the top five of the Billboard 200 and was praised by Rolling Stone for "honoring country tradition and moving it forward." NPR calls him "the future of country music," and the Los Angeles Times crowned him as "the breakout country artist of the year." The album's breakthrough anthem, the 8X RIAA-Platinum certified, "A Bar Song (Tipsy)" holds the record for the longest-leading Hot 100 No. 1 while also topping Billboard's Hot Country Songs, Country Airplay Chart, and Mediabase/Country Aircheck charts. The single has accumulated over a billion streams across DSPs and made history, making Shaboozey the first Black male artist to simultaneously top Billboard's Hot Country Songs and Hot 100. Shaboozey earned five nominations at the 2025 GRAMMY® Awards including Best New Artist and Song of the Year. He won the New Artist of 2024 and New Artist Song of 2024 awards at the People's Choice Country Awards, garnered Best New Artist and Song of the Summer nominations at the 2024 MTV Video Music Awards, and was nominated for New Artist of the Year and Single of the Year at the 2024 Country Music Association Awards. He was also named a TIME100 NEXT honoree and Billboard Country Power Player. Shaboozey was crowned Newcomer Of The Year at Variety's Hitmakers 2024 and picked up 2024 Billboard Music Awards for Top Song Sales Artist, Top Selling Song, and Top Country Song. Most recently, Shaboozey was nominated for New Male Artist of the Year and Single of the Year at the 2025 Academy of Country Music Awards. Highlighting not only his musical vision but also his commitment to influencing modern culture, Shaboozey debuted his collaboration for YSL Beauty's MYSLF Le Parfum for a groundbreaking campaign. Honoring his Virginia roots, Shaboozey continues the region's long-standing tradition of prolific creativity by expanding the scope of contemporary hip-hop, introducing modern Americana to a global audience, and bringing a unique sense of artistry to the world. His debut headline Where I've Been, Isn't Where I'm Going tour sold out in every market across North America, Europe, and the UK, and he played arenas nationwide as part of Jelly Roll's Beautifully Broken tour. Tracks 1 Horses & Hellcats 2 A Bar Song (Tipsy) 3 Last of My Kind (Feat. Paul Cauthen) 4 Anabelle 5 East of the Massanutten 6 Highway 7 Let It Burn 8 My Fault (Feat. Noah Cyrus) 9 Vegas 10 Drink Don't Need No Mix (Feat. Bigxthaplug) 11 Steal Her from Me 12 Finally Over 13 Amen (Feat. Jelly Roll) 14 Hail Mary (Feat. Sierra Ferrell) 15 Fire and Gasoline 16 Blink Twice (Feat. Myles Smith) 17 Good News 18 Chrome
  • Released: 08/01/2025
  • Format: Vinyl
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SKU: 65711782423

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erika
Dallas, US
★★★★★ 4
They are good
They were really good with nice flavor just not sour
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Reviewed in the United States on September 20, 2023
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paige alexander
Chelsea, US
★★★★★ 5
Tasty
Yummy.
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Reviewed in the United States on May 7, 2026
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slimwriter
Battle Creek, US
★★★★★ 2
Not sour
Not really sour at all so it’s a pretty disappointing candy.
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Reviewed in the United States on May 6, 2026
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Moon Riley
Waukegan, US
★★★★★ 5
Sugar free
Tastes great
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Reviewed in the United States on April 21, 2026
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Mr. Paul A. Ackermann
Pawtucket, US
★★★★★ 5
Dude, it's not just a horror novel
Format: Paperback
This is to the previous reviewer (C. Scanlan). If this is just a horror novel, it failed miserably. It is not exactly a blood ’n gore thriller. Compared to Stephen King, it is pretty tame. What puts the horror in this book is that it is social commentary. Mary Shelly is not just trying to scare us. It is more than just a “Friday the 13th” movie. Mary Shelly is delivering a message. It seems that everyone understands this except this reviewer. There have been several different interpretations of the novel (see [...] for 10 different meanings of the novel). ICE takes the interpretation that Shelly is saying science can go too far. This is a perfectly valid interpretation. One can disagree with this interpretation but let’s not resort to name calling and personal attacks – that those who hold such an interpretation are doing a “low level attempt to cash in on home schooling Christian paranoia and fear of health care” or believe that “AIDS [is] the fruit of sin”. My wife and I are Catholic parents and we sent our children to public schools He mocks the idea of a secular fundamentalist but then demonstrates what that is. A religious fundamentalist sees anyone who disagrees with him as being of the devil. A secular fundamentalist sees anyone who disagrees with him as guilty of “brainwashing” others. In both cases, true dialogue is impossible. Another thing that a fundamentalist does is that he sees things in opposite extremes. If you are warning of the dangers of trusting too much in science then you must be against science. There is no middle ground for the fundamentalist. If you see that science can sometimes go too far then that means you are against health care. But this is a non-sequitur. Nielson writes “Frankenstein’s placing of the creation of life within the scientific method first destroys the unrepeatability and systematically eliminates the other elements [of hope, love, beauty, creativity and sacrifice]”. Nielson is not criticizing the scientific method in total. He is only criticizing it in the creation of life. The reviewer writes “He thereby easily and explicitly condemns the whole process and philosophy of the scientific method”. But Nielson is not condemning the whole process of the scientific method. He is only condemning it in the creation of life. The reviewer then mocks the credentials of the critics in the book - “So who are these essayists superior to Norton's and Oxfords and free of deconstructionist feminist secular fundamentalism, experts so august Ignatius should want them mentioned on their product page yet are nowhere to be seen?” But this game can be played both ways. What are the credentials of this reviewer? Is this reviewer so august as to challenge these essayists? Again, this is merely an ad-hominem attack. I really do not care who has the best credentials. What matters is who makes sense. Sometimes intellectuals can make the dumbest claims. Read Paul Johnson’s book, “Intellectuals” (http://www.amazon.com/Intellectuals-Marx-Tolstoy-Sartre-Chomsky/dp/0061253170/ref=sr_1_1?ie=UTF8&qid=1421862888&sr=8-1&keywords=intellectuals). He compares the essayists unfavorably to “good solid Roman Catholic moral theology” from the likes of Richard A. McCormick S.J., who “is the renowned leader of Roman Catholic Moral Theology in the field of bioethics in the USA.” He overlooks the fact that A. McCormick S.J. has dissented from teachings of the Popes Paul VI, John Paul II, and Benedict XVI over contraception. The “renowned leader” in the Catholic Church in morality is first and foremost the pope. Since Richard A. McCormick has contradicted the popes, he cannot be a good solid Catholic theologian. Mary Shelly lived right after the Enlightenment – man is the measure of all things. She lived at a time when people believed that science will solve all our problems. This is called scientism. ICE contends that Shelly is saying that we may be expecting too much from science. It does not mean that Shelly was saying that we should reject science. And it does not mean that Shelly believes that we should go back to the Catholic faith. In fact, ICE acknowledges that Shelly was an anti-Catholic. But the Church believes that the kernel of truth can be found in others, even in anti-Catholics. This is part of the Catholic tradition. St Augustine learned from Plato and St Aquinas learned from Aristotle. ICE would take that kernel of truth and expound that with the fullness of the Catholic faith. You may disagree with the Catholic faith, or with ICE looking at Shelly’s book from a Catholic perspective. But this is at least as a legitimate an interpretation as any other. In fact, this interpretation seems closer to the truth than the others. This interpretation is the traditional interpretation, which means that it goes back further to Shelly’s time than the modern interpretations, and is therefore less likely to be in error. BTW, the reviewer wrote that “Opus Dei right wing publishing (or reprint) house is selling this novel is to milk the home school market and to support its own bizarre bio-ethical ideology”. This is factually wrong. The company that publishes Opus Dei’s books is Sceptre. But the publisher of ICE is Ignatius Press.
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Reviewed in the United States on January 22, 2015

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